The Composer Pro II with Sweet 35 is part of our unique Optic Swap System. Use the tilting Composer Pro II lens housing with the f/2.5, 35mm Sweet 35 optic to add unpredictable depth and movement with a spot of focus effect.
For international customers who’d like to support their local dealers, please email us at customerhappiness@lensbaby.com. We’ll connect you to the closest Lensbaby distributor, just keep in mind that we don’t have distribution in every country.
Effects Gallery
Description
Combine fine-tuned focus and dreamy blur to create images that resonate. The Composer Pro II with Sweet 35 Optic adds unpredictable depth and movement at 35mm, so you can hone in on the details that matter most. Place the sweet spot right where you want it—perfect for illuminating a face or bringing out a specific detail in your landscapes and environmental portraits.
Addition Resources
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The Sweet optics will always have a sweet spot of focus surrounded by a soft blur. The amount of blur is determined by your aperture but yes, there will always be some effect with the Sweet 35.
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All of our lenses will work on full frame cameras including the Sony A7 series full frame cameras.
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To remove the optic: Twist the optic all the way counter-clockwise. Hold focus ring in place. Push in evenly on the optic and twist counter-clockwise at the same time (similar to removing a medicine bottle cap). Optic should release. This video may help: https://www.youtube.com/watch?v=G9Jnhyyga8Y
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Yes, our lenses will be compatible with your cameras. Just select “Micro 4/3” mount for your Micro 4/3 camera and “Canon” mount for either of your Canon cameras.
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The Composer Pro II is our upgrade to the Composer Pro. The Composer Pro II will have more metal than plastic pieces. It will be more durable and the locking mechanism is tighter which helps to lock the heavier Edge optics into place. Image quality will be the same, as that is determined by the optic that is installed.
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The Composer Pro II is our newest model of Composer. The difference between the Composer Pro and the Composer Pro II is that the Composer Pro II is more durable, is made with more metal, holds our heavier Edge optics better in lock position – but they both produce the same image quality, as that is determined by the optic.
The Sweet optics will always have a sweet spot of focus surrounded by a soft blur. The amount of blur is determined by your aperture but yes, there will always be some effect with the Sweet 35.
(0) (0)
All of our lenses will work on full frame cameras including the Sony A7 series full frame cameras.
(0) (0)
To remove the optic: Twist the optic all the way counter-clockwise. Hold focus ring in place. Push in evenly on the optic and twist counter-clockwise at the same time (similar to removing a medicine bottle cap). Optic should release. This video may help: https://www.youtube.com/watch?v=G9Jnhyyga8Y
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Yes, our lenses will be compatible with your cameras. Just select “Micro 4/3” mount for your Micro 4/3 camera and “Canon” mount for either of your Canon cameras.
(0) (0)
The Composer Pro II is our upgrade to the Composer Pro. The Composer Pro II will have more metal than plastic pieces. It will be more durable and the locking mechanism is tighter which helps to lock the heavier Edge optics into place. Image quality will be the same, as that is determined by the optic that is installed.
(0) (0)
The Composer Pro II is our newest model of Composer. The difference between the Composer Pro and the Composer Pro II is that the Composer Pro II is more durable, is made with more metal, holds our heavier Edge optics better in lock position – but they both produce the same image quality, as that is determined by the optic.
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